barton cole
web and multi-media design
factotum@coraxdesign.com
box 953
langley, wa
98260 usa

I don't know what this is; for now, I'm calling it a "web concept."
My hosting set-up is fairly economical, and domain names are affordable, and this is one I picked up.

I don't want to say too much about it, since I don't understand what it is, necessarily. I will say that I was out working one day —
First, let me say something about that:

Some of the work I do has me sitting in front of a screen (or two), typing code, reloading pages in the web development browser, uploading files to the server, not to mention all the work with various image editing software...
but some other of my work takes me outside: I am a naturalist and professional horticulturist, living in an ideal, frequently-rainy climate.

I don't know, but it seems to me that the two things couldn't be more divergent: on the one hand, I'm out there pruning trees and shrubbery, and working in the forest; it's a very tactile — no, completely sensual experience, and certainly physical. When I am done with the work, I can walk away from something that will remain.

On the other hand, the work is nearly entirely cerebral; all I am doing is rearranging electrons according to my specifications, so when I am done working, only electrical potential has changed. It's fairly abstract work, but compelling, in that I develop designs, which is fundamentally an artistic activity, and then execute them with xhtml code, which is a mostly logical process. But none of those processes, together, have much in the way of physical involvement, other than working with a mouse and keyboard, and scratching my head now and then.

So, of course, my two vocational activities complement each other perfectly. Sometimes, when I am hung up on a design issue, or a logical execution issue, all I have to do is go outside, and the answer will often present itself in short order. I might need to get busy weeding in my vegetable garden until the answers come, but it doesn't usually take long.

I was out working one day, then, among some cedars, alders, and douglas firs, and was thinking about web designs. As I mentioned, I have a stable of domains, and think about content I can put on them (presently, the clientele hasn't found me so much, so until then, I keep working, which develops a nice portfolio). Just the night before, my daughter had suggested a clever domain name, and what do you know? Within a couple of hours, I had purchased the domain, configured the server, and already had content posted there.

As I said, the domains are cheap, so I was contemplating a domain shopping spree... I don't know if you've had the opportunity, but thinking of domains is good fun. Of course, there are the obvious ones, such as ascandalinbohemia.org, and geniusweirdo.org...
but something about a non-sequitur involving an odd number appealed to me -- a colleague has (but does nothing with, as of December 2008) wingnut23.com, which I think is a pretty nifty domain. What could I come up with...?

I had a notion, and asked my son about it when I saw him that afternoon.

"What odd number do you think would best accompany, 'argyle'?" I asked.
He was rather confused. I repeated the question, and added, "Like, say, 'argyle23'," thinking of my colleague's domain.
"Oh, to go with the word, 'argyle'" he said. "I get it."
He gave it some thought.
"Well," he said, "it shouldn't be too low of a number — it has to be odd? — and not a double-digit number... so what about...
'Argyle-Nine'?"

That was it.
Now, all I had to do was figure out what to do with the domain — securing it, and setting up the server, was easy and quick, and promptly taken care of.

I thought about it, and with Photoshop®, opened up an image from my recent trip to Amsterdam, after looking through the archives for one that would go with the concept I had in mind.
And then, whip up an argyle motif, plaster it on a numeral "9," add a gradient and some contour, and drop it into a picture of an area in Amsterdam, next to a canal [duh], that was being re-paved, with stacks of pavers sitting all around (that's also work that I do, enjoy very much, and was surrounded by in Amsterdam, so had photographed it in progress). I added a bit of a shadow, to make the argyle9 look like it belonged (did a sloppy job, I'll admit — I was in a hurry).

Now, all that was left was to write a little xhtml page, a little css style sheet, and put it on the server.

I was delighted with the work, since I had, in a mere couple of hours, put something very clever on the web. I hastened to show my son, and was rewarded by one of those knowing glances, that brief re-assessment of the father by the hip, teenage son; I was even more delighted. I emailed a genius correspondent in the midwest, and soon had a favorable reply from him, along with the question, "...but what is it?" I had to reply that I still didn't know.
But my subconscious was now busy and engaged with a quirky art project, which always stimulates me deeply.
I soon ended up with another notion, which became the image (perhaps you've seen it?) of the submarine, the conning-tower painted over with an argyle pattern, and emblazoned with a large, block, "9," the way the Navy does. Again, some fun Photoshop® work (although I also very much enjoy working with The GIMP, an open-source, free-download, image-editing program that has nearly all of Photoshop's® capabilities, and has some Photoshop® doesn't).

My midwest pal responded to my announcement of the new concept:

"cool," I thought. something about the sub cracked me up, though. Not sure what it is, but there was a comic trigger in the argyle stack (or do they call it a super structure on a sub?)
Every few days, I would come up with another theme, a concept ("united-argyles" was one, and "rugby" was another, all involving manipulation, extensive to varying degrees, of images with editing software), and put it on the web, nudging aside the one that preceded it. The server was developing a nice library of argyle9 images, but the xhtml and css, although slightly modified to accomodate new image dimensions, were all else that was there. My midwest correspondent was keeping up, a bit, and my son and other intimates were seeing stuff I was showing them as I put updates out there.

And the ideas were coming fast and furious, and but what about the previous concepts? I wanted them to be available, but not too easily, considering how in its early days (which lasted maybe two weeks), fans of the site (me, and maybe my midwest pal, and hopefully, my son) had to wait for updates, like fans of a serial comic strip in the papers, long before reprint collections arrived.

Presently, there is still one theme at the domain, but if one clicks the little title, "argyle9.com," fixed in position at the bottom left corner of the screen, one goes to a page with a list of themes →

argyle9 :: amsterdam

↑ I started with this one; I had taken the picture in Amsterdam, having seen a common, but fascinating site: the pavers had been lifted and were being restored. I photoshopped in a numeral 9 with an argyle pattern, with a sloppy shadow applied to knit it into the scene...

argyle9 :: ferrari

↑ nothing fancy here; it's an image of a Ferrari (can't tell you the model, it all happened so fast), with an argyle pattern — rather sloppily, it's true — wrapped around it. Fun project.

argyle9 :: rousseau

↑ one of my fine-art versions: I inserted an "argyle9" (whatever that is) into the scene, in the style of the original painting. See my version of "Le Demoiselles D'Avignon" for another example.

argyle9 :: iArgyle9

↑ my big plan for this one is to write a page of code so the links actually go somewhere, or have ironic tooltips when you hover on them... as it is, the page is merely an image (generated from scratch; I found out what font google uses and found an online foundry which let me take a look at sample — in this case, of the text, "Argyle9" — which I saved as a screenshot, and modified in photoshop with a handsome argyle overlay...).
the image links to the list of other argyle9 themes; eventually, though, it will be a page of links.

argyle9 :: pollock

↑ a fun photoshop project — isolate the black spattered paint, put it on a new layer, and drop a layer with a pollock-style argyle9, oriented to him, behind it.

argyle9 :: rugby

↑ more fun with photoshop; I found a photo of a school rugby team, and just had to eliminate all but nine of them (a row standing behind our argyle lads), then mask their jerseys, and apply an argyle overlay. fast and loose, in a manner of speaking.

argyle9 :: triomphe

↑ this one was fun — erase the Arc de Triomphe, then drop in an oblique solid argyle nine. Add the shadow, clone stamp where necessary, and there you have it.

argyle9 :: picasso

↑ again, I had to edit out some flowers or something, and drop in an argyle numeral nine, tweaked to match the style of the painting. There are any number of artists I'd like to explore this way...

argyle9 :: submarine

↑ one of my favorites — I found an image of a sub I liked (it was all about the conning tower, for me), then used the warp tool to effectively wrap an argyle layer around it. Apply some shadow on another layer, and there it is. I love this one; really.

argyle9 :: rembrandt

↑ we had just seen a rare painting in Amsterdam; Rembrandt Laughing, apparently thought to be the work of an assitant, but now attributed to Rembrandt himself, and on view at his studio for another week, after which it would disappear into the private collection to which it had recently come to belong. I have a photo of my son in front of the picture, taken just like the one I modified... by replacing the painting with one of my own.

argyle9 :: wizard

↑ this one says it all, I think. got problems that need looking into? got issues to resolve? crises to kick around? check in with old argyle9, my friend. on the other side of that field of poppies...

argyle9 :: united

↑ Just a fun Wet Floor Effect exercise. Nice collection of argyles, though, if I say so myself (I did design those).

argyle9 :: M C-T

↑ My son, the highly-gifted and talented Max Cole-Takanikos, recently, and at the time not quite nineteen years old, knocked out this painting to hang in a multi-media show (partly to commemorate leaving home, and partly to raise a stake for living in america) — I mean, he knocked it out. The canvas appeared on his easel, and in the time it would take me to make a pot of soup, he had started this painting — and finished it.
He was going to charge a modest price for it, but it was so perfectly expressive:
  • the color scheme had appeal — although I typically eschew that sort of cool, tealy blue, it really worked, partly due to...
  • the suggestion of French graphic style, circa 1960.
  • note the narrow tie, even...
  • and, as I expressed to him, "...the red thing - that's what he's after, but he's not going to get it back..." (really - click on the thumbnail above, or click here, so you can at least see my version. But you'll get a sense of what I'm telling you.
I was able to persuade him to elevate the price to what might be unreasonably high, which meant that I had a clear shot to buy it from him (for my suggested, higher price), which I did, and then: paid him what I thought was a high compliment, to render it as an "argyle9" specimen, along with Picasso, Rembrandt, Pollock, Rousseau...
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